Indigenous Resources Guide

"Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous women across North America resound in this book. In the same style as the best-selling Dreaming in Indian, #Not Your Princess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, humiliation, and stereotyping are countered by the voices of passionate women making themselves heard and demanding change. Sometimes angry, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have been virtually invisible."-- Provided by publisher.

Echo Desjardins, a 13-year-old Métis girl adjusting to a new home and school, is struggling with loneliness while separated from her mother. Then an ordinary day in Mr. Bee’s history class turns extraordinary, and Echo’s life will never be the same. During Mr. Bee’s lecture, Echo finds herself transported to another time and place—a bison hunt on the Saskatchewan prairie—and back again to the present. In the following weeks, Echo slips back and forth in time. She visits a Métis camp, travels the old fur-trade routes, and experiences the perilous and bygone era of the Pemmican Wars.

"A picture book based on a true story about a young First Nations girl who was sent to a residential school. When eight-year-old Irene is removed from her First Nations family to live in a residential school she is confused, frightened, and terribly homesick. She tries to remember who she is and where she came from despite the efforts of the nuns to force her to do otherwise. Based on the life of Jenny Kay Dupuis' own grandmother, I Am Not a Number brings a terrible part of Canada's history to light in a way that children can learn from and relate to"-- Provided by publisher.

"A translation of I Am Not a Number to Anishinaabemowin (Ojibwe) - Nishnaabemwin, Nbisiing dialect. Dual-language edition in Nishnaabemwin (Ojibwe) Nbisiing dialect and English. When eight-year-old Irene is removed from her First Nations family to live in a residential school, she is confused, frightened and terribly homesick. She tries to remember who she is and where she came from, despite the efforts of the nuns in charge at the school, who tell her that she is not to use her own name but instead use the number they have assigned to her. Based on the life of co-author Jenny Kay Dupuis's grandmother, I Am Not a Number, is a hugely necessary book that brings a terrible part of Canada's history to light in a way that children can learn from and relate to."-- Provided by publisher.

"A powerfully illustrated graphic novel for teens about the subject of missing and murdered Indigenous people. Combining graphic fiction and non-fiction, this young adult graphic novel serves as a window into one of the unique dangers of being an Indigenous teen in Canada today. The text of the book is derived from excerpts of a letter written to the Winnipeg Chief of Police by fourteen-year-old Brianna Jonnie -- a letter that went viral and in which, Jonnie calls out the authorities for neglecting to immediately investigate and involve the public in the search for missing Indigenous people, and urges them to "not treat me as the Indigenous person I am proud to be" if she were to be reported missing. Indigenous artist Neal Shannacappo provides the artwork for the book. Through his illustrations he imagines a situation in which a young Indigenous woman does disappear, portraying the reaction of her community, her friends, the police and media. An author's note at the end of the book provides context for young readers about Missing and Murdered Indigenous Women and Girls in Canada."-- Provided by publisher.

"Discusses the impact of climate change on Canada's Indigenous Peoples and efforts to maintain their traditional way of life."-- Provided by publisher.

Unhappy at school and at home, Ray is happy for the chance to spend the summer with her Grandmother in a northern Ontario native community.

"In a future world ravaged by global warming, people have lost the ability to dream, and the dreamlessness has led to widespread madness. The only people still able to dream are North America's indigenous population - and it is their marrow that holds the cure for the rest of the world. But getting the marrow - and dreams - means death for the unwilling donors. Driven to flight, a 15-year-old and his companions struggle for survival, attempt to reunite with loved ones, and take refuge from the "recruiters" who seek them out to bring them to the marrow-stealing 'factories.'"-- Provided by publisher.

After a girl she knows from school goes missing and is found dead, Feather is shocked when the police write it off as a suicide. Then, it's Feather's best friend, Mia, who vanishes--but Mia's mom and abusive stepfather paint Mia as a frequent runaway, so the authorities won't investigate her disappearance either. Everyone knows that Native girls are disappearing and being killed, but no one is taking it seriously, so Feather starts her own investigation. What she doesn't know is that the young serial killer has become obsessed with Feather, and her investigation is leading her into terrible danger.

"Moonshot is a project that is a thrilling new collection that showcases diverse aboriginal representation in comic books. This is an anthology of stories about identity, culture, and spirituality told by writers and artists from a range of communities across North America including many creators that identify as Métis, Inuit, Dene, Anishnaabe, Cree, Mi'kmaq, Caddo, Haida, Sioux, and Suquamish, among others"--Foreword.

In Nobody Cries At Bingo, the narrator, Dawn, invites the reader to witness first hand Dumont family life on the Okanese First Nation. Beyond the sterotypes and clichés of Rez dogs, drinking, and bingos, the story of a girl who loved to read begins to unfold. It is her hopes, dreams, and indomitable humour that lay bear the beauty and love within her family. It is her unerring eye that reveals the great bond of family expressed in the actions and affections of her sisters, aunties, uncles, brothers, cousins, nieces, nephews, and ultimately her ancestors.

Pete, a young Aboriginal gang member, is sent to jail for killing his mother's boyfriend during a fight. While there, he realizes that he has become a negative influence on his younger brother and decides to turn his life around with the help of traditional Aboriginal healing circles and ceremonies.

The true story of Shannen Koostachin and the people of Attawapiskat First Nation, a Northern Cree community, who have been fighting for a new school since 1979 when a fuel spill contaminated their original school building. Shannen's fight took her all the way to Parliament Hill and was taken up by children around the world. Shannen’s dream continues today with the work of the Shannen's Dream organization and those everywhere who are fighting for the rights of Aboriginal children.

A school assignment to interview a residential school survivor leaders Daniel to Betsy, his friend's grandmother, who tells him her story. Abandoned as a young child, Betsy was soon adopted into a loving family. A few short years later, at the age of 8, everything changed. Betsy was taken away to a residential school. There she was forced to endure abuse and indignity, but she remembers her fathers words - words that gave her the resilience, strength, and determination to survive.

"Tasha Spillet's graphic-novel debut, Surviving the City, is a story about womanhood, friendship, resilience, and the anguish of a missing loved one. Miikwan and Dez are best friends. Miikwan's Anishinaabe; Dez is Inninew. Together, the teens navigate the challenges of growing up in an urban landscape - they're so close, they even completed their Berry Fast together. However, when Dez's grandmother becomes too sick, Dez is told she can't stay with her anymore. With the threat of a group home looming, Dez can't bring herself to go home and disappears. Miikwan is devastated, and the wound of her missing mother resurfaces. Will Dez's community find her before it's too late? Will Miikwan be able to cope if they don't? Colonialism and the issue of Missing and Murdered Indigenous Women, Girls, and Two-Spirit People are explored in Natasha Donovan's beautiful illustrations."-- Provided by publisher.

Explore the last 150 years through the eyes of Indigenous creators in the graphic novel anthology, This Place: 150 Years Retold. Beautifully illustrated, these stories are an emotional and enlightening journey through magic realism, serial killings, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.

With the rising number of missing Indigenous women, her family's involvement in a murder investigation, and grave robbers profiting off her Anishinaabe tribe, Perry takes matters into her own hands to solve the mystery and reclaim her people's inheritance.